“The flutist played with an extreme accuracy of phrasing, portraying a natural instrumental virtuosity. Furthermore, the emission and expressiveness of sound, always without distortion, which are the protagonists of precious and vibrant executions, are successfully achieved.”
Filippo Staiano, Fa La Ut, Napoli, Italy, 2013
“Near to the sound of the human voice, is that of the flute. When ROSO’s Fernando Fracassi played the flute, first with harp and than with marimba, the night was filled with song. The flute and harp is a blissful combination that can also be exciting and energising, as we realised when flutist Fernando Fracassi, and harpist Rocio Rodriguez, played Bach Sonata in G minor for Flute and Harp. Their lively rendition made some of us want to get up, skip along and dance , as they did in the days of J.S.Bach…”
Dr. Patricia Groves, The Observer, Muscat, Sultanate of Oman, February 3, 2010
“When Fernando begin to play his flute, he had soon a crowd behind him as in the story ‘Pied Piper of Hamelin’…”
Posten, Velligne, Sweden, Summer 2008
“Fernando Fracassi, an interpreter more brilliant than his flute…”
Bebe Draia, Cuget Liber, Costanta, Romania, 26.11.2005
OTHER PRESS REFERENCES
Music Performance, Plays and Composition
Anzeiger (Bad Kissingen, Germany)
Bergamo Oggi (Alessandria, Italy)
Bihari Naplo’ (Oradea, Romania)
Cuget Liber (Costanza, Romania)
L’ Eco di Bergamo (Bergamo, Italy)
La Gazzetta del Mezzogiorno (Potenza, Italy)
Journal Bihorean (Oradea, Romania)
Main Post (Bad Kissingen, Germany)
Main Post (Würzburg, Germany)
Il Mattino (Napoli, Italy)
Il Messaggero (Rome, Italy)
Nuovo Molise (Campobasso, Italy)
The Observer (Muscat, Sultanate of Oman, Middle East)
Il Piccolo (Alessandria, Italy)
Il Quotidiano del Molise (Campobasso, Italy)
Saale Zeitung (Bad Kissingen, Germany)
Sydsvenskan (Velligne, Sweden)
Telegraph (Costanza, Romania)
Il Tempo (Rome, Italy)
FOR JOURNALISTS AND ORGANIZATION ONLY
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